Released the same year as the game that preceded it (1991), Eye of the Beholder II: The Legend of Darkmoon is another excellent first-person, party-based, TSR AD&D-licensed Role-Playing Game with atmospheric, level-grinding gameplay.
Continue reading Eye of the Beholder II: The Legend of Darkmoon, PC
Westwood Studios‘ Eye of the Beholder is a bold attempt to replicate the thrills of Dungeon Master, with real time, first-person exploration and combat.
Gateway To Apshai is sometimes described as a Roguelike RPG, but it doesn’t have randomly generated dungeons – they’re set, in number order, and there are a lot of them.
Electrician is a simple wire-connecting game originally made by Synapse Software for Atari 8-bit computers, and later converted to the Famicom Disk System by KEMCO in 1986.
The game is set in New York; the opening cut scene shows a beautiful and poignant pixel representation of the Twin Towers.
Translating into English as “Love Warrior Nicol“, Ai Senshi Nicol is an obscure Konami shoot ’em up, released for the Famicom Disk System in 1987. It has, to date, never been released outside of Japan.
Castle Quest was published for the BBC Micro in 1985 by Micro Power.
It was written by a young Tony Sothcott and is a platform adventure game with simple puzzles and a scrolling landscape.
Montezuma’s Revenge is a classic platform game originally released for Atari 8-bit computers by Utopia Software in 1983, and later re-released by Parker Brothers in 1984.
The game was written by a then 16 year-old Robert Jaeger, who made two versions of the game for Atari home computers.
Kentilla is a text adventure – with graphics – released on the ZX Spectrum by Micromega in 1984. It was written by the prolific (back then) Derek Brewster.
Velnor’s Lair was Derek Brewster‘s first commercial text adventure, and – as text adventures go – it is an excellent one.
Derek Brewster‘s Jasper is a decent platform game from the early days of the ZX Spectrum. It was first published by Micromega in 1984.
Jasper himself is a yellow mouse, and his raison d’etre in life is: making it home across 22 screens of obstacles.
The King of Grabs 