An RPG with a funny name, based on the AD&D Forgotten Realms campaign setting, Menzoberranzan is a 1994, first-person, party-based adventure game developed by DreamForge Intertainment for Strategic Simulations Inc.
Released in 1994, Ravenloft: Strahd’s Possession was developed by DreamForge Intertainment for Strategic Simulations Inc. and was distributed by US Gold in the UK.
I remember it well because I reviewed it for PC Player magazine back in the day.
I have to admit that, in spite of the slightly wonky graphics/cut scenes, I have a real soft spot for Gremlin Interactive‘s 1997 PC MS-DOS release, Realms of the Haunting. Mostly because I was lucky and got to visit Gremlin‘s offices in Sheffield to see the game in production, and to talk to the people who were making it. I drove all the way from Bournemouth – where I worked as a video games magazine editor – and spent an entire day there to preview the game for PC Power magazine.
Back then, Realms of the Haunting looked good. It was a Doom-type 3D engine-based survival horror game, co-programmed by Tony Crowther, and written and produced by Paul Green. It had specially-filmed cut sequences using professional actors and came on four CD-ROMs. The thing it had over Doom, though, was being able to interact with objects on-screen, by clicking a mouse cursor on them.
Now time has passed and we can use hindsight to inform us, I have to say that I still quite like Realms of the Haunting, even though it’s dated badly and the graphics look weird (especially when looking up and down – the game doesn’t have any real perspective correction, just like the original Doom). Also: I always thought the cut scenes were hokey – even back in 1997 – so watching them now doesn’t appal me. It’s not the acting in them that’s bad (it’s actually pretty good), it’s the way the cut scenes have been produced. The film “special effects” are awful; the compositing is basic at best; and the video encoding is worse than standard definition. And I’m being charitable…
Thankfully the story is quite good. You play an investigator called Adam Randall who goes into a dark house looking for clues about the mysterious death of his father. And of course he finds more than he bargained for… Again, thankfully: there are weapons to be found and used against whatever it is that is out to get him. Eventually Adam discovers that the house is in fact a portal to different universes and that he must prevent an impending apocalypse by visiting each universe and unlocking its secrets. So nothing major…
Realms of the Haunting is involving and atmospheric – even gripping in places. It’s been designed to be scary, and succeeds in places. Some of the monsters look a bit dodgy but are tough opponents to beat, and the environments are relatively simple, but overall RotH is well worth a play if you like old school survival horror games. It’s still available to buy on GOG.com and Steam, which is heartening.
Theron’s Quest is a modified version of the incredible Dungeon Master, released for the PC Engine in Japan in 1992 and the TurboGrafx-16 in North America in 1993.
Developers FTL/Software Heaven changed the premise of the main quest (this time you specifically play a named character, called Theron, who must find seven parts of a set of knight’s armour); they also changed the layouts of all the dungeons (although some places might seem familiar to DM fans); they added cut sequences between levels (kind of unnecessary, but they don’t detract too much); they made the game easier (by reducing the frequency of monsters, and also by replacing the save option with plenty of resurrection points), and of course they also made it playable on a gamepad (for one person).
If you sit down and play Theron’s Quest intently, like I’ve done, you’ll know that “making the game easier” doesn’t necessarily equate to “making the game easy”; and even in a emulator I’d say that Theron’s Quest is a decent challenge. In fact: I rate Theron’s Quest very highly. A lot of people dismiss it as “just Dungeon Master on the PC Engine“, but it is in fact a little bit more than that – it’s a completely new Dungeon Master sequel, and (thankfully) doesn’t go in the same “ultra hard” direction as Chaos Strikes Back…
Theron’s Quest does a very good job of making a brilliant game more accessible to mainstream gamers. And it also allows Dungeon Master pros to flex their muscles in an environment they love, but don’t have to commit too much time to beating. It’s a ‘win-win’ for everybody. 🙂
Stonekeep is a strange first-person Role-Playing Game, developed and published by Interplay Productions in 1995.
I say “strange” because Stonekeep comes from a time when developers were looking for any excuse to inject some full-motion video into their games, and Stonekeep uses digitised video quite a lot, and it now looks very dated. Actually, Stonekeep uses two very dated graphical techniques to create the world you’re exploring – the second technique being Silicon Graphics-rendered graphics (the first being the aforementioned digitised video technique, a la Mortal Kombat). It’s the clash of the bad graphics techniques…
The way the digitised video has been used in the game means that a lot of the characters and monsters in it look kinda like pantomime villains… Well I felt like I was playing a pantomime fantasy game with Stonekeep… The visual style of this game reminds me of that TV show, Knightmare – the one that superimposed live actors over painted fantasy backdrops… That’s what they tried to do with this game – film people in costumes and incorporate them into a Role-Playing Game… And the end result is a bit of a weird mess!
In spite of the outdated presentation Stonekeep plays excellently. Movement is quick and simple, and is tile-based. A journal keeps track of quests, items, maps, stats and available spells (which are cast using runes inscribed on wands). Combat is real-time; similar to that seen in the mighty Dungeon Master. Quests and puzzles are fairly simple – mostly unblock a route or kill a bad guy – although there are a few surprises along the way that take Stonekeep beyond the merely ‘generic’.
I wouldn’t say that Stonekeep is a ‘solid gold classic’, but I would recommend that RPG fans give it a try. Or even better: play it to the later stages at least, because that’s where it gets more interesting. That said: if you have a low tolerance for goblins, faeries, and ice queens then maybe this game isn’t for you…
Stonekeep is a game that doesn’t deserve to be forgotten and does have its moments, even though the story and setting are a little trite. Don’t let me put you off though – Stonekeep plays nicely in DOSBox and is cheap on GOG.com and is well worth adding to the collection.
The fourth Fallout was released by Bethesda in 2015, some seven years after Fallout 3, and five years after Fallout: New Vegas. In fact: I would call this the fifth Fallout game, because Fallout: New Vegas was more than just game number 3.5, in my humble opinion – it was the best game in the entire series. But anyway… What do I know?
What Fallout 4 retains from the previous games it benefits from (like lockpicking, hacking, and companions, which are essentially the same), and what Fallout 4 loses from the previous games it also benefits from too. Excepting for maybe the Perk Chart, which I found to be a big step backwards, usability-wise, in Fallout 4.
That ‘blip’ aside, I love the sparse and refined interface of Fallout 4; the story and conversations are simpler and more realistic; and ‘crafting’ has taken on a whole new meaning this time around. New additions to the gameplay, such as building and defending settlements, the use of power armour, and manufacturing helper robots, I think are all excellent. Although base-building in Fallout 4 is not perfect (trying to get fencing to connect up is a bitch), the fundamentals behind it work very well and add another dimension to the Fallout experience.
Of course, Fallout 4 is all about chasing quests, gaining and using experience points, playing politics with different factions, and hoarding every piece of tech and weaponry you can get your hands on. Exploring the crumbling, post-apocalyptic Boston, Massachusetts yields many surprising moments.
What I love most about Fallout 4 is the world itself. And the atmospherics. The effort Bethesda has made to create a believable, destroyed world is remarkable. The use of light/dark; coloured lighting; weather effects; music and sound effects all combine to make something really worth experiencing. On normal difficulty Fallout 4 is a challenging game – that I like too. At times the enemies in the game can be utterly ruthless and punishing (try meeting an Assaultron Demon and its friends when you’re lower levelled and see what you think of that experience…), and there are many unique monsters in the game that are way beyond your initial capabilities and who will mince you for dinner without warning if you make a mis-step. Which is all part of the Fallout RPG experience – fear, followed by eventual domination (when you go back to get your revenge later). And – there being no real level cap this time – you could in theory just keep on surviving indefinitely.
At times Fallout 4 can be frustrating. A game this big and complex is going to have some bugs, and I did experience a couple that broke my game (which I had to use to the console to fix), which nobody wants to do, but at least a fix was available, saving hours of gameplay that I’d otherwise have to re-do. I also think that the item management is still not quite as good as I’ve seen in other games. Organising items can be quite tiring in Fallout 4 and a few tweaks to the menu system might have made it a lot easier. But overall: I don’t want to complain about it too much, because I really enjoyed playing Fallout 4.
Where would I put Fallout 4 in my list of best Fallout games? Is it better than Fallout: New Vegas? Mmm. I would probably put it joint top with Fallout: New Vegas. In some respects, Fallout 4 is better, but in other respects: not. The story/characterisation and world-building in Fallout 4 are outstanding. There’s no doubting that.