The sequel to the great Resident Evil 2 is a great continuation of the survival horror series, this time with you playing as Jill Valentine, and fighting against a persistent superboss who jumps into the story at certain points to give you a pasting.
Or – if you give it a pasting back – you get a reward.
Capcom‘s Resident Evil 2 really elevated the survival horror genre to great heights, way back in 1998 when it was first released.
Mostly because it was more gritty and serious than the first game, but also because it was a much more complex storyline in this one: with two different characters playing the same scenario, but from different perspectives (and provided on two different CD-ROMs). Effectively giving you two games in one. So you play one character on a ‘A’ game, and the other on a ‘B’ game, by loading your save in from having completed one half of the game.
And the actions of one character in the game have an effect on what the second character experiences in their game later.
This – in itself – is a dazzling feature, but there is so much more to Resident Evil 2 than that.
Let’s face it: Resident Evil (one) was never the best game to begin with…
When you make a story-based game, the first thing you start with is a script. And Resident Evil‘s script (mostly notably: its dialogue) has always been laughable.
With such memorable lines as: “Thanks for saving my life! Now, shouldn’t you be elsewhere?” and character mood swings bordering on the insane, you’d be forgiven for writing Resident Evil off with derisory laughter.
But a lot of people think that it’s still a great game.
Geoff Crammond‘s The Sentinel (aka The Sentry in North America) is a strange chess-like game where you have to sneak up on an overseeing watcher, who is perched high on a platform, overlooking the play area, and absorb him before he does the same to you.
I want to post some more grabs from Etrian Odyssey III: The Drowned City on the Nintendo DS. Because it really is one of the best RPGs of all time, and because I can’t recommend you play it highly enough.
Continue reading Etrian Odyssey III: The Drowned City, Nintendo DS [Part 2]
Ranarama, by Steve Turner of Graftgold, originated on the ZX Spectrum in 1987, and was later converted to the Atari ST, Amiga and Amstrad CPC.
Sega made the (frankly bonkers) arcade game Moonwalker – starring Michael Jackson – based on his 1988 film of the same name.
This is the one: Dungeon Master – the Atari ST original. One of the best games ever made, and among my favourite games of all time…
Fellow blogger, and games mutha-lover, Mr. Biffo, has launched a Kickstarter Appeal for Digitiser: The Show, which can be found here:
https://www.kickstarter.com/projects/1534877882/digitiser-the-show-proper-retro-gaming-tv
If you don’t know: Digitiser is a long-running games-based publication that first began its life on Channel 4 Teletext (back in the olden days), before later evolving into a rather excellent website.
Digitiser is well-written, informative, funny, poignant at times, populated by a plethora of bizarre-but-hilarious characters, and also – it seems – branching out into more televisual style entertainment.
Covering modern and retro gaming, Mr. Biffo says of it: “This won’t be the kind of cheap-and-cheerful fare you typically find on YouTube; Digitiser The Show is a full-blooded gaming series, utilising professionals with decades of broadcasting experience to bring audiences something that will stand out as high quality – while being utterly unique, completely bonkers, and hugely ambitious.”
The guest line-up looks fantastic in itself. We think that this is gonna be big…
Again, the link is here: Digitiser: The Show on Kickstarter
Go and support them if you like the sound of it!
By Order Of
The King of Grabs
This unique and interesting game was developed and first published by Automata UK on the ZX Spectrum in 1984.
Deus Ex Machina was the first video game to feature a fully synchronised soundtrack that featured celebrity narration and music. The cast includes Ian Dury, Jon Pertwee, Donna Bailey, Frankie Howerd, E.P. Thompson, and Mel Croucher – the latter being the author of the game. The soundtrack was supplied on cassette, which was played while the game ran.
