Tag Archives: Mario

SimCity, Super Nintendo

The 1991 Super Nintendo version of Will Wright‘s classic SimCity was developed by Nintendo themselves, so is somewhat different to previous versions. It’s actually one of the best versions of SimCity around.

SimCity is about city-building, land/power/transportation management, taxation, and dealing with natural disasters. Basically: keeping your growing (or maybe even declining) population happy.

The viewpoint is overhead, and you build your city by clearing land and laying tiles on the scrolling landscape. You build roads, rail tracks, residential areas, industrial areas, and commercial areas – not to mention your own house – and must attract people to come live with you. When you reach a certain size you can then build more advanced structures, such as airports and sports stadia. Of course, you need power stations and police departments, and maybe even a port if you’ve got some coastline.

Nintendo‘s involvement added a lot of nice touches to SimCity on the SNES that aren’t in other versions, not least of which is a Bowser attack on Tokyo! Aping the Godzilla attack of the original game… Or the golden Mario statue awarded for reaching a half million population. Or the special buildings that are awarded for reaching certain milestones, such as casinos, amusement parks, and expo centres. Some of these ideas were incorporated into SimCity 2000 later, so it was prudent of Maxis to approve Nintendo‘s own development of their precious game, in exchange for new ideas.

A regular game of SimCity is an open-ended ‘sandbox’ affair, where you choose a random map and just build on it until you run out of steam. There are also six different disaster scenarios to “beat” – earthquake, pollution, crimewave, nuclear meltdown, coastal flooding, and the aforementioned monster attack.

Not as boring as it looks, SimCity is a classic SNES game and still a lot of fun to play.

More: SimCity on Wikipedia

Super Mario Bros. 3, NES

Of the three Super Mario Bros. games released for the Nintendo Entertainment System, this 1988 release must surely rate as the best.

Directed by Takashi Tezuka and produced by Shigeru Miyamoto, Super Mario Bros. 3 really takes the Mario series to a whole new level, with new techniques, gimmicks, and secrets, as well as the usual high standard of finesse and charm.

Super Mario Bros. 3 forgets that Super Mario Bros. 2 ever existed and instead goes back to what made Super Mario Bros. so enjoyable to play. And that is: challenging, left to right-scrolling levels, and precise control over Mario (or Luigi – the two-player mode came back). In this game Mario could (for the first time) slide down slopes; pick up and throw special blocks; freely climb vines, and also fly, float, swim faster, and throw hammers (!) using collectable power-ups.

Individual levels form part of eight themed ‘worlds’, and a map allows you to choose which level to take on next (another new feature at the time), and although the game is still relatively linear it does at least give you the occasional alternative route. Plus: you can now see secret areas opening up on the main map, which is quite exciting (and something that we later saw expanded in the phenomenal Super Nintendo sequel to this, Super Mario World).

Super Mario Bros. 3 also introduces bonus mini-games into the mix and these allow the player to win extra lives or power-ups which can be used later during a level.

Playing it now, there is no doubting that Super Mario Bros. 3 is an amazing game that has stood the test of time well. In some respects it plays a bit like a prototype of the peerless Super Mario World, which indeed it is – a prototype of that game, albeit one that sold almost 20 million physical copies worldwide!

More: Super Mario Bros. 3 on Wikipedia

Super Mario Bros. 2, NES

The North American release of Super Mario Bros. 2 was controversial because it was not the same Super Mario Bros. 2 that was released in Japan – it was a re-skinned game; made into a Mario game, because the Nintendo bigwigs thought the original was too difficult for western gamers.

And the result is the game you see here. It looks like Mario from a distance, but when you drill down to it, there are quite a few differences. In this there is no two-player option. Players can instead choose to play each stage as one of four different characters – Mario (of course), Luigi, Toad (the mushroom), and Princess Peach. Each character can run and jump, and climb, and do all the usual Mario-style actions, but they also each have a unique ability. Mario can jump the farthest; Luigi – the highest; Peach can float, and Toad can pick up items quickly.

Also unlike the previous game: the player can explore both left and right – as well as vertically – rather than being forced to always move left to right. Enemies are no longer beaten by jumping on them. Instead: they can be ridden on by jumping on them. And if you do want/need to beat them up you have to throw objects at them instead.

Super Mario Bros. 2 contains twenty different levels in total, spread over seven themed worlds. Each world has different enemies, plus a boss battle at the end.

Although this version of Super Mario Bros. 2 has since gone on to be regarded as a bit of a retro-gaming classic, it is easy to see why it garnered some criticism at the time. It does deviate from many of the Mario conventions we’ve come to recognise, although it does retain the precise controls, cute graphics, and charm of the Mario series as a whole, so is well worth a play.

More: Super Mario Bros. 2 on Wikipedia

Super Mario Bros. 2, Famicom Disk System

Super Mario Bros. 2 was initially released on the Famicom Disk System in Japan in 1986, but was not released in North America or Europe in its original form, as you might have expected. It was instead decided that the gameplay was “too difficult” for Western gamers (and also the video games market in North America was undergoing a crash at the time), so Nintendo decided not to release it in English language territories – at least until it was later re-branded as Super Mario Bros.: The Lost levels – and released a different Super Mario Bros.2 in North America instead.

This ‘lost’ version of Super Mario Bros. 2 is just as insanely difficult as the legend describes. It plays very similarly to the first Super Mario Bros. game, but has a variety of new features that seem designed to trick you. Like black mushrooms. You learn not to pick those up quite early in the game… The level designs this time have been designed to make you tear your hair out too. Make one wrong move, and you’re dead. Some sections have easier routes, but these are often hidden and require Mario (or Luigi) to find a hidden block to open them up.

The whole game seems like it was designed with “professional players” in mind. This original, Japanese version of Super Mario Bros. 2 is certainly not for beginners. Which is why it is so much loved by speed-runners and modern game pros now. It’s one of the toughest challenges in gaming.

The game sold over seven million physical copies in Japan in its first year of release.

More: Super Mario Bros.: The Lost Levels on Wikipedia

Super Mario Bros., NES

The successor to the 1983 arcade game Mario Bros., Super Mario Bros. was released in Japan and North America in 1985, although it wasn’t released in Europe until 1987.

It is considered by many gamers to be one of the greatest video games of all time, and I wouldn’t want to dispute that assessment.

Super Mario Bros. was a gigantic leap ahead for Nintendo at the time, and it expanded massively on the ideas and themes of the original Mario Bros. (which was – let’s face it – quite a limited game overall). In this game Mario (or Luigi – if playing two-player) must make his way across a series of scrolling, platform-based levels; bouncing on the heads of enemies; collecting coins; picking up power-ups (such as mushrooms, which make you bigger; essentially giving you an extra life); and eventually sliding down a flag pole at the end of a level (the higher you slide down it, the more bonus points you are awarded). Occasionally you’ll get to fight a mini boss battle; or slide down a pipe into a secret area; or pick up a ‘Fire Flower’ (which allows you to shoot at enemies).

While none of that might sound very exciting by today’s standards, back in 1985 Super Mario Bros. was revolutionary. It revolutionised platform gaming with its precise controls and brilliantly-designed levels. It raised the bar in the entire video-gaming industry in 1985 – everyone who saw it and played it knew that it was something special. Something better than most leading arcade games could offer at the time… And it remains that to this day: a game marking the transition from the old style of archaic video games, and the new style of console games that were extremely high quality.

The original NES version of Super Mario Bros. sold over 40 million physical copies worldwide during its first run (29 million in North America alone), although many of these were ‘pack-in’ titles sold with a new console. Those sales still count, though, which made it THE best-selling video game of all time until it was usurped by (sigh) Wii Sports (and other games later on).

More: Super Mario Bros. on Wikipedia

Paper Mario: The Thousand Year Door, GameCube

Intelligent Systems and Nintendo released this fantastic follow-up to Paper Mario on the GameCube in 2004.

Paper Mario: The Thousand Year Door is a nice improvement on an already great game. It’s a turn-based level-grinding RPG, with flat, paper-like characters running around a 3D landscape. As Mario explores he encounters set and random battles with various foes and can use gamepad moves and button prompts to enhance his attacks and buff his defences. He can also have companions who fight with him and each have unique abilities.

The Thousand Year Door – like its predecessor – is a superb example of a hardcore level-grinder, wrapped up in a Mario coating, and it looks amazing and plays absolutely brilliantly.

More: https://en.wikipedia.org/wiki/Paper_Mario:_The_Thousand-Year_Door