Ultima III: Exodus is the third game in the Ultima series and the final instalment in the “Age of Darkness” trilogy. It was the first Ultima game that was published by Origin Systems and first came out for the Apple II in 1983. Ultima III was also the first game in the Ultima series where you controlled a party of characters, rather than a single hero, and the first Ultima game to use a line of sight/fog-of-war mechanic, meaning that anything that wasn’t directly within viewing distance was hidden from the player.
Tag Archives: Retro Gaming History
Ultima II: The Revenge of the Enchantress [1989 remake], Apple II
Here’s a set of screenshots showing the rare 1989 remake of Richard Garriott‘s Ultima II: The Revenge of the Enchantress for the Apple II. It’s considered to be rare because it was only ever released once, for Origin Systems‘ Ultima Trilogy compilation of the first three games. It was also Origin‘s final release for the Apple II.
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Ultima II: The Revenge of the Enchantress, Atari ST
Oh my goodness… This Atari ST conversion of Ultima II, by Robert Eric Heitman, uses a mouse-driven GEM interface as an “enhancement” over the original, and this – in my opinion – has turned the game into kitty litter…
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Ultima II: The Revenge of the Enchantress, PC
Originally released by Sierra On-line in 1983, the PC MS-DOS version of Ultima II: The Revenge of the Enchantress is pretty much the same as the Apple II original – except for the graphics which are four-colour CGA and look pretty awful. Thankfully there’s a fan-made patch, by The Exodus Project, that upgrades the graphics and fixes a few bugs and that’s the version I’m showing here. Note that at the end of this sequence of screenshots I’ve also shown the CGA version of the game for comparison.
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Ultima II: The Revenge of the Enchantress, Commodore 64
The 1983 Commodore 64 version of Ultima II: The Revenge of the Enchantress is a bit of a mixed bag in my opinion. On the one hand it is a gigantic, innovative, involving, and highly challenging Role-Playing Game, and a worthy sequel to the first Ultima (which was a great game). And on the other hand it is a fiddly, visually insipid and annoyingly vague quest into who knows what kind of fantasy, time-travelling nonsense…
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Ultima II: The Revenge of the Enchantress, Atari 8-bit
The Atari 8-bit conversion of Ultima II: The Revenge of the Enchantress was developed and published by Sierra On-line in 1983, coming out not long after the original Apple II version.
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Ultima II: The Revenge of the Enchantress, Apple II
Ultima II: The Revenge of the Enchantress is the sequel to Ultima and is the second game in the Ultima series. It was first released in 1982 for the Apple II. The game was initially published by Sierra On-Line, but a dispute over royalties for the PC version led series creator Richard Garriott to start his own company, Origin Systems.
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M.U.L.E., Atari 8-Bit
M.U.L.E. (meaning: Multiple-Use Labour Elements) is a classic business-based strategy game that mixes turn-based and real-time gameplay, and supply-and-demand economics, with multiplayer competition for up to four players. It was designed by the late Danielle Bunten Berry of Ozark Softscape and first published for Atari 8-bit computers by Electronic Arts in North America in 1983. Later, Ariolasoft published the game in Europe, and Bullet Proof Software published the game in Japan. M.U.L.E. was also converted to a number of other systems and has become something of a cult hit since its original release.
Fallout: New Vegas: Lonesome Road, PC
Lonesome Road is the fourth and final story-based DLC for the classic RPG/shooter, Fallout: New Vegas, and was first released in September 2011. It’s meant for players who are level 25 or higher and begins with you being contacted by the original Courier Six – a man called Ulysses – who promises to tell you important information about the Platinum Chip and why he refused to deliver it.
Fallout: New Vegas: Old World Blues, PC
Old World Blues was the third story-based DLC to be released for Fallout: New Vegas and first came out on 19th July 2011. It is definitely the weirdest and funniest of the FNV DLCs and contains some hilarious dialogue, bizarre enemies, and strange settings, and it is considered by many Fallout: New Vegas players to be the best of the DLCs (I’d disagree, though – I think Dead Money is better).